In his book, Understanding A Photograph, Berger contrasts the methodology of the Decisive Moment articulated by Henri Cartier-Bresson as the antithesis of that followed by Paul Strand: The photographic moment for [Henri] Cartier-Bresson is an instant; a fraction of a second, and he stalks that instant as…
It is not unusual to hear that art–photography–should communicate to the viewer. An image should offer some meaning; it should leave the viewer with a feeling. du Chemin, Patterson, Freeman talk about this in different ways. Paul Kennedy boldly stated Art is…
I have 42 issues of Horizon Magazine, starting with Volume II No.1 from September 1959 to Volume XIX, No.4 July 1977, with a few gaps in between. The contents include topics on: art, architecture, archaeology, history and photography. Interestingly, the table of contents…
Over the years I have accumulated a collection of business cards. I have cards for most of the positions I’ve occupied, but there are a few gaps. For example, the years 1984-1994 are missing. May be they will turn up.…
It all seems at odds.