Graffiti Alley #1

The other day I joined our photography group to visit Graffiti Alley in nearby Toronto.

20201104-11-LEICA M10-L1000109.jpg

In preparation of the outing, I put together some tips:

Composition

  • Objective:  Capture the art
    • Graffiti comes in different sizes:
      • Capture the real essence of the graffiti art; try to understand the message of the work and capture it
      • smaller pieces may benefit from context; incorporate other elements into the frame to add more interest, to expand on a storyline 
    • Use closeups to show detail, texture, etc. of the work
    • Use focus:
      • Shallow depth of field to highlight portions of the work
      • Deep depth of field to capture whole work in focus
  • Objective: Street Photography
    • Graffiti offers an interesting background for street photography
    • It gives your images a “grungy” look
    • Shows neighbourhood quirks / personality
    • Include People in the Frame
  • General
    • Straight on vs. angled view of the art
      • straight on (i.e., standing perpendicular to the art) provides a more “documentary” (i.e., descriptive) point of view
      • angled view will distort the image (if done well, might be more artistic)
    • use leading lines: leads viewer’s eyes into the picture
    • Horizontal vs. pitched view
      • tilting the camera (a pitch view) can be more artistic
    • “Rule of Thirds”
    • Check background for distracting (unwanted) elements
    • use your imagination!

Technical Notes

  • Challenges:
    • Keeping the whole thing in focus usually requires a  high depth of field (F8 +), which is hard in low-light conditions
    • To compensate for low light options include one or more of: [1] may need high ISO [2] wide-angle lens [3] tripod
    • Graffiti  is usually in tight spaces so options include one or more of: [1] use a wide angle lens [2] take panoramic shots (either in-camera or stitched together later in software)
  • Tools
    • wide-angle lens (20mm range) to capture a full work, provide depth of field at low shutter speed
    • zoom lens to capture detail
    • UV filter if shooting while the artist is painting
    • Use HDR When Shooting Graffiti to cover wide variations in light
    • Avoid digital zoom
  • Other:
    • Pay Attention to the Weather: what conditions work best for the location
    • Pick the Right Time of Day: day (natural light); night (street lights / flash)

Find a location

  • under bridges
  • Abandoned buildings / areas
  • Alleyways
  • Try using Flickr to find locations

Ethics

  • you can’t claim a picture of graffiti as your own work (and try to sell it, publish it, etc.)
    • if the graffiti takes up more than half the picture you are copying it
    • Seek permission if possible before selling …

References

 

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