Tag: 2019 Arles
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Windows
in: DocumentaryWindows are a way of seeing what is on the other side of the wall; looking out or looking in. But it is looking, watching, not touching. Windows offer limited porosity. Porosity suggests the movement of something, a communication, light, and in this case it might be some level of understanding developed on what we…
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Fences
in: DocumentaryLike their more substantial brethren (walls) fences define boundaries. They appear more porous because of their construction, but this can be misleading. Consider the electrified, barbed-wire fence. It is that they are less visible, yet equally substantial, that has me relate them to the more personal, intellectual, boundaries. As an intellectual construction, within our own…
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Walls
in: DocumentaryWalls establish or define a boundary. They establish a distinction between two spaces. They separate inside from outside. Walls can be for protection: to keep things out or to keep things in. The US-Mexico wall is to keep people out; the former Iron Curtain was to keep people in. Walls are [usually] man-made constructions, but…
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Style: Representation of Emotions
in: DocumentaryBeyond those of hope and despair, other emotions spawn from tourism that need to be included. Emotions can be spawned by both the subject matter and how the photograph is rendered. Here I am less certain of which specific techniques, and approaches I will use and therefore expect many of the decisions to be made…
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Style: Representation of Balance
in: DocumentaryGoing forward, I will face several style-related decisions. To guide my decision-making process I have prepared some basic principles. First, I want to ensure the content correctly represents the nature of tourism and balances the positive and negative aspects. Second, I want to ensure that the style of photography and subject matter are complementary and…