Tag: Essay on Oriental Landscape
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Essay on Oriental Landscapes
This study began with the question “how do I capture feeling and or convey meaning in landscape images?” Many of my shots are landscapes. In 2011 I took 20,846 pictures; 11,296 include the keyword landscape. This number reflects the reality that landscape photography represents a significant part of my work. I’ve found subject matter to be…
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Landscapes: An Essay On Oriental Landscapes Part 7
In the previous post I combined multiple elements together, including fog, mountains, and the elongated portrait format. Water is also an important and recurring element in Chinese Landscapes. But as I see it, it is one that highlights flow or movement within the frame, along with other elements that provide shape. In this example I…
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Landscapes: An Essay On Oriental Landscapes Part 6
In the previous post I explored the use of fog or clouds. Chinese Landscape Art often combines clouds with the vertical landscape. In this shot I have tried to capture the flow of the clouds between the mountains. The stretched format provides more room to define the flow. In creating this Picture I used:
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Landscapes: An Essay On Oriental Landscapes Part 5
In the previous post I began exploring mountain portraits. Chinese Landscape Art often includes fog or clouds. Clouds offer a means to isolate: foreground elements from background; peer elements from each other. Clouds can have a simplifying effect by increasing the empty space, hiding complexity or breaking a larger possibly complex subject into smaller possibly…
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Landscapes: An Essay On Oriental Landscapes Part 4
In the previous posting I explored combining layering and silhouette in the same shot. I also included adding colour to simulate the traditional silk surface. Another aspect of Chinese Landscape Art is the portrait view of a mountain, almost as a vertical panorama. In this example I explore the style that combines two elements:…